The Saragossa Manuscript
directed by Wojciech Has, 1965

I won't even attempt to summarize the plot of The Saragossa Manuscript (Rekpois Znaleziony w Saragossie). (See IMDB for a brief summary.) Rather, I'll simply say I loved this movie and here's why: narrative style.

The Saragossa Manuscript, set during the Napoleonic Wars, is told in the manner of The Book of a Thousand and One Nights and, to a lesser extent, The Canterbury Tales. It is a story about stories that themselves contain stories (which also contain stories). In some ways, it's a celebration of storytelling. In the world of written literature, this kind of narrative has a long history. Cinema, however, is a bit different.

Movies are less like novels than they are like short stories and novellas. In other words, a movie story needs to be told all at once (rather than over several days like a TV series or a book you set aside between chapters). Audiences simply can't (and won't) sit through 6 or 7 hours (or longer) of film. Nor would budgets allow for the creation of such a monster (Lord of the Rings aside). So films are more compressed (at least when they try to replicate a novel cinematically). Or, with an original script, less wide-ranging and more tightly focused.

Director Wojciech Has achieves a remarkable accomplishment, then, by giving us an engaging film that is wide-ranging and broad. Based on the novel of the same name, and definitely abridged (for the reasons mentioned above), his movie layers story upon story, each somehow touching upon the others, sometimes echoing them, sometimes growing out of and into them.

The result is a delight and, at a running time of 3 hours, one that never flags and loses our attention. Sometimes dark, sometimes bawdy, sometimes funny and sometimes dramatic, in a single film we're taken into the strange and wonderful world of storytelling.

If there is a theme to it all (beyond the joy of telling stories), it may be the liberating power of fantasy and imagination. The main character, very focused, disciplined and rigid (on the surface at least), and in denial of anything that doesn't conform to empirical reality, goes on a journey that transforms him if only by opening him up to possibilities.

Admired by such names as Francis Ford Coppola, Martin Scorsese and (oddly) Jerry Garcia, The Saragossa Manuscript DVD is a clean, crisp version (taken in the context of its age and the fact it had to be restored).

Filled with stunning images and moving from the strange to the lascivious to the dramatic, this is a fabulous film and a definite must for anyone who loves stories and wishes to see how film is simply another branch of literature (albiet one with its own rules and traditions).

© 2003 Piddleville Inc.